Dr Annamaria Motrescu-Mayes

Name:	Dr Annamaria Motrescu-Mayes
Affiliation:	University of Cambridge
E-mail:	(only provided to users who are logged into talks.cam)
Last login:	Thu Feb 15 16:17:47 +0000 2024

Public lists managed by Dr Annamaria Motrescu-Mayes

• Exploring modern South Asian history with visual research methods: theories and practices
• Film and History Seminar Series: Teaching Modern South Asian History with Film and Oral History
• Visual Constructions of South Asia (2014-15)
• Visual Constructions of South Asia (2015-16)
• Visual Rhetoric and modern South Asian History, Michaelmas 2016
• Visual Rhetoric and modern South Asian History, Michaelmas 2017
• Visual Rhetoric and modern South Asian history (2014)
• Visual Rhetoric and modern South Asian history (2015-16)
• Visual rhetoric and modern South Asian history
• Visual rhetoric and modern South Asian history (2013)

Talks given by Dr Annamaria Motrescu-Mayes

Obviously this only lists talks that are listed through talks.cam. Furthermore, this facility only works if the speaker's e-mail was specified in a talk. Most talks have not done this.

• Gendered and visual politics in South Asia
• Contemporary South Asian visual constructions of Self & Nation
• Sri Lanka on film: Ceylon tea and Tamil Tigers
• After Independence: India, Pakistan and Bangladesh
• Partition: politics, memory and experience
• The Indian National Movement
• Gendered politics in the visual representation of South Asia
• Visual anthropological perspectives on South Asian society
• Colonial South Asia: cultural conflicts and racial hierarchies
• Contemporary South Asian visual constructions of Self and Nation in film
• Sri Lanka’s visual identity: from Ceylon tea to Tamil Tigers
• After Independence: India, Pakistan and Bangladesh
• Partition: politics, memory and experience
• The Indian National Movement
• Gendered politics in the visual representation of South Asia
• Visual anthropological perspectives on South Asian society
• Colonial South Asia: cultural conflicts and racial hierarchies
• Contemporary South Asian visual constructions of self and nation in film
• Sri Lanka on film: 'Ceylon tea and Tamil Tigers'
• After Independence: India and Pakistan
• Partition: politics, memory and experience
• The Indian National Movement
• Gendered politics in the visual representation of South Asia
• Visual anthropological perspectives on South Asian society
• Colonial South Asia: cultural conflicts and racial hierarchies
• Visual constructions of South Asian society in film.

Talks organised by Dr Annamaria Motrescu-Mayes

This list is based on what was entered into the 'organiser' field in a talk. It may not mean that Dr Annamaria Motrescu-Mayes actually organised the talk, they may have been responsible only for entering the talk into the talks.cam system.

• New issues of visibility and self censorship in migrants’ use of social media
• The illegalisation of movement across the Mediterranean –-‘fortress Europe’
• Screening and group discussion: Shipwreck at the Threshold of Europe, Lesvos, Aegean Sea, dir. Amel Alzakout (2020, c. 23min)
• Contemporary South Asian visual constructions of Self
• Sri Lanka’s visual identity: from Ceylon tea to Tamil Tigers
• After Independence: India, Pakistan and Bangladesh
• Partition: politics, memory and identity
• The Indian National Movement
• Gendered and visual politics in South Asia
• Visual anthropological perspectives on South Asian society
• Colonial South Asia: cultural & racial hierarchies
• Contemporary South Asian visual constructions of Self
• Sri Lanka’s visual identity: from Ceylon tea to Tamil Tigers
• After Independence: India, Pakistan and Bangladesh
• Partition: politics, memory and identity
• The Indian National Movement
• Gendered and visual politics in South Asia
• Visual anthropological perspectives on South Asian society
• Colonial South Asia: cultural & racial hierarchies
• Contemporary South Asian visual constructions of Self and Nation
• Sri Lanka’s visual identity: from Ceylon tea to Tamil Tigers
• After Independence: India, Pakistan and Bangladesh
• Partition: politics, memory and experience
• The Indian National Movement
• Gendered politics in the visual representation of South Asia
• Visual anthropological perspectives on South Asian society
• Colonial South Asia: cultural conflicts and racial hierarchies
• In the shadow of Mt Kailash: The politics of visual constructions in a trans-boundary cultural landscapes
• The Imperial Aesthetic: Photography, Samuel Bourne and the Indian Peoples in the post-Mutiny era
• 'Savages’ in Sketchbooks: Tribal Portraits of Colonial India
• Reviving Sati’s corpse: the invocation of the Shakti Pithas in modern and contemporary politics
• The lens and the maharaja: The photographic remaking of Indian kingship in the late colonial period
• Indian plague maps and the colonial urban
• Death and sanitation: Imperial representations of The Ganges
• Imaging the amorous in a multi-sensory space of the Cinema
• Teaching the Alphabet of Health to the Indian Masses: The Visual Languages of the Red Cross in India, 1918-1939
• Outrage, hurt and ‘neo-Hindutva’: anti-M F Husain protests in India and beyond
• Before East was East: British Pakistani Cinema in the 1980s
• Contemporary South Asian visual constructions of Self & Nation
• Sri Lanka on film: Ceylon tea and Tamil Tigers
• From Courts, Studios to Bazaars: A Visual History of the Tawa’if in colonial North India, late 18th to early 20th centuries
• After Independence: India, Pakistan and Bangladesh
• Partition: politics, memory and experience
• The Indian National Movement
• Gendered politics in the visual representation of South Asia
• ‘For a little amusement’: A Brutal Look at Leisure in Early Modern Indo-Danish Relations
• Visual anthropological perspectives on South Asian society
• Colonial South Asia: cultural conflicts and racial hierarchies
• The Iconography of Alterity: Simla and the Visualisation of ‘British’ Enclaves in Indian Highlands
• Contemporary South Asian visual constructions of Self and Nation in film
• Sri Lanka’s visual identity: from Ceylon tea to Tamil Tigers
• After Independence: India, Pakistan and Bangladesh
• Partition: politics, memory and experience
• The Indian National Movement
• Gendered politics in the visual representation of South Asia
• Visual anthropological perspectives on South Asian society
• Colonial South Asia: cultural conflicts and racial hierarchies
• 'Delhi at Eleven: David MacDougall, children filmmakers and urban India'
• ‘History, memory and stigma: Filming India's 'criminal'/denotified tribes in western India’
• Eyes of the Ancestor: ‘returning’ photographs to an Indian village
• Visual Narratives of `Fierce`Goddesses and `Brave` Historical Women
• Gods, Moneylenders and Anthropologists: Three Raj Gond Worlds in the Twentieth Century
• Contemporary South Asian visual constructions of self and nation in film
• Sri Lanka on film: 'Ceylon tea and Tamil Tigers'
• After Independence: India and Pakistan
• Partition: politics, memory and experience
• The Indian National Movement
• Gendered politics in the visual representation of South Asia
• Visual anthropological perspectives on South Asian society
• Colonial South Asia: cultural conflicts and racial hierarchies
• Nepal and the Himalayas on film: from the British Raj onwards
• After Independence: India and Pakistan
• Partition: politics, memory and experience
• The Indian National Movement
• Gendered politics in the visual representation of South Asia
• Visual anthropological perspectives on South Asian society
• Colonial South Asia: cultural conflicts and racial hierarchies
• Visual constructions of South Asian society in film.
• Moving pictures, moving stories: photographs, films and interviews from the end of the Raj