|COOKIES: By using this website you agree that we can place Google Analytics Cookies on your device for performance monitoring.|
Originals, Copies and Fakes: The Visual Culture of Heritage
If you have a question about this talk, please contact T.S. Thompson.
How do great works of art become great? Or better, how do they become known? A “national heritage” consciousness cannot exist if “heritage” is not known to a majority of the population. The talks looks at how, during the nineteenth century, a visual culture of heritage was created through reproductive techniques. In particular, it will analyse the rise and fall of the Cast Museum in Europe.
This talk is part of the Darwin College Humanities and Social Sciences Group series.
This talk is included in these lists:
Note that ex-directory lists are not shown.
Other listsThe Abdus Salam Lecture Society of Biology Theoretical, Modelling and Informatics - Chemistry Research Interest Group
Other talksGallium Nitride LEDs: How can they save energy, purify water, improve our health (and be made here in the UK) Make it, take it, or leave it: heme metabolism of kinetoplastid flagellates The CHRNA5-A3-B4 gene cluster: More than just smoking quantity? Seismic retrofitting of historic masonry structures How and why would you do data science in health? Epidemiology