|COOKIES: By using this website you agree that we can place Google Analytics Cookies on your device for performance monitoring.|
Originals, Copies and Fakes: The Visual Culture of Heritage
If you have a question about this talk, please contact T.S. Thompson.
How do great works of art become great? Or better, how do they become known? A “national heritage” consciousness cannot exist if “heritage” is not known to a majority of the population. The talks looks at how, during the nineteenth century, a visual culture of heritage was created through reproductive techniques. In particular, it will analyse the rise and fall of the Cast Museum in Europe.
This talk is part of the Darwin College Humanities and Social Sciences Group series.
This talk is included in these lists:
Note that ex-directory lists are not shown.
Other listsMelville Laboratory Seminars Martin Centre Research Seminars, Dept of Architecture Slavonic Film and Media Studies
Other talksBiomimetics: from nature to applications - ONE DAY MEETING The 2015 Controlling Cancer Summit Professor Irmgard Sinning - Title to be confirmed Random Dirichlet series arising from records TBC TBC (neurophysiology of vision and motion detection)