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Fitzwilliam Museum, Education Seminar Room (35)
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If you have a question about this list, please contact: . If you have a question about a specific talk, click on that talk to find its organiser. 0 upcoming talks and 75 talks in the archive. Fitzwilliam Museum talks & lectures Gendering Decryption - Decrypting Gender
Fitzwilliam Museum talks & lectures Degas’s Drinker: Marcellin Desboutin and the portrait print after photography
Fitzwilliam Museum talks & lectures Currencies of Conflict: siege and emergency money from antiquity to Second World War
Fitzwilliam Museum talks & lectures Cobbling things together: new insights into Degas’s working methods
Fitzwilliam Museum talks & lectures Reading Between the Lines: the worlds of linear B
Fitzwilliam Museum talks & lectures Terra Firma: a conversation with Pallavi Paul
Fitzwilliam Museum talks & lectures Curators’ introduction to Codebreakers and Groundbreakers
Fitzwilliam Museum talks & lectures Truth and artists’ intention
Fitzwilliam Museum talks & lectures Degas's sculptures: how truthful are they to his artistic intentions?
Fitzwilliam Museum talks & lectures The Making of Sense: creating ground-breaking public art commissions
Fitzwilliam Museum talks & lectures Seeing samplers as stitched documents
Fitzwilliam Museum talks & lectures “This Noble Repository”: a Fitzwilliam Museum for its third century?
Henry Moore’s Hill Arches
Ronald Searle, Cambridge, and caricature
Constellations: Rene Magritte and astronomy
The literariness of caricature
1945: Paying for WWII
Hercules and the aesthetics of exhaustion
Hercules: The thinking person’s superhero
Power and resistance in sculpture in the aftermath of WWI
Colour and power
‘For with perfect balance, all would be well’ - Why balance is so integral to the works at Kettle’s Yard
Manet: Sex and/or beer
An introduction to the Kettle’s Yard display Beauty and Balance
Fantastical pottery creatures by Andrew Hull
La Grande Guerre: A WWI Centenary exhibition of French prints
Recreating ancient everyday life within the Museum
Fish and flowers: Roman mosaic glass plaques
Making sense of the Whipple Museum’s Muggletonian astronomical prints
The age of the collector: History of the Woodwardian and Sedgwick Museums
Hidden music: The mystery of early Chinese bronze vessels with bells
The night of longing: Love and the sex trade in Japanese prints
On white: Porcelain stories from the Fitzwilliam
University Challenge : Conservators versus Collections
A call to arms: Redisplaying the Armoury
Looking at Japanese erotica
Models of collaboration: Artistic interventions in a fifteenth-century Book of Hours
It’s not easy being green: exploring the use of green pigments and mixtures in manuscript illumination
Healthy, humours and paintings
Healthy, humours and paintings
The use of wigs and extensions in Afro hairdressing
Picturing Prometheus
Ancient tears and laughter: Some visual clues
Stories behind the Stitches: Schoolgirl samplers of the eighteenth and nineteenth centuries
An introduction to the Fitzwilliam Museum’s sampler collection
The puzzle of Byzantine ceramic platesFREE but space limited. Admission by token, available from 12.45 on day of talk.
Scrutinising sgraffito: conservation of Medieval Cypriot glazed bowlsFREE but space limited. Admission by token, available from 12.45 on day of talk.
Rituals and recipes: food, religion and politics in ancient ChinaFREE but space limited. Admission by token, available from 12.45 on day of talk.
Monsieur Desprez’s monsterFREE but space limited. Admission by token, available from 12.45 on day of talk.
Reversing the slump: reshaping a rare Egyptian mummy caseFREE but space limited. Admission by token, available from 12.45 on day of talk.
Gateways to paradise: twin towers in early Chinese artFREE but space limited. Admission by token, available from 12.45 on day of talk.
Chinese mirrors (50 BCE) and their symbolismFREE but space limited. Admission by token, available from 12.45 on day of talk.
Secrets of the scarab beetleFREE but space limited. Admission by token, available from 12.45 on day of talk.
The King of Nanyue and the barbariansFREE but space limited. Admission by token, available from 12.45 on day of talk.
People and Pots: Use and Collection of Islamic Ceramics
A Roman ‘Swiss Army Knife’
Royal Manuscripts: The Genius of Illumination
Projects in manuscript conservation
Three New Acquisitions on Religious Themes
Kunstkammer in China? The Hapsburg collections in Vienna compared with the Chinese Imperial household in the Forbidden City in the 18th-century
“Whims and drolleries”: Silver in the 17th-century
French Impressions: The re-display of the 19th-century collections
The Ripley Scroll unrolled: Alchemy and art in Renaissance Europe
The rediscovery of Vermeer and the reception of genre painting
Imperial portraits of Yuan Emperors
Indiana Jones in bloomers: The remarkable story of Agnes Smith Lewis, bible hunter and benefactor
The art and craft of ivory carving in Baroque Europe
Turkish Delights: Exploring the Ottoman Ceramic Collection
Love for sale in the 17th-century: Secrets of the oldest profession
Artist’s Pigments: All there in black and white
Looking is Thinking: The visual analysis of paintings
Making Money: The art, science and entrepreneurship of Matthew Boulton (1728 – 1809)
African headrests, hair combs and hair
Telling Secrets: Vermeer’s Women and their world
“Rex Metallorum/King of Metals”: Golden treasures in princely collections in the 16th and 17th-centuries
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Annie Burman, Faculty of Classics, University of Cambridge.
Wednesday 29 November 2017, 13:15-14:00